Made to move, never repainted.

A short film in two shots, cut from a single illustration.

The same artwork, inside the film.

Source illustration
Source illustration
Shot one
Shot one
Shot two
Shot two

94.5% of the first shot and 97.3% of the second are pixels carried straight from the illustration, with a maximum deviation of 0 out of 255, and the same holds between the two shots. The rest is the soft edges, and the ground the layers uncover as they move.

Why the two shots cannot drift.

The five depth layers of the illustration, stacked like sheets of glass
Depth layers, front to back.

Both shots are cut from the same stack of depth layers, so continuity between them is mechanical rather than hoped for.